Hi Nell-nice job on these toning exercises! It really helps to have your tone squares right above the cylinders because it helps to see that you are missing some of the darker tones. Especially on the taller, thinner cylinder the dark #9 tone is a distinct strip and then it jumps to #6. There should be more transition from 9 thru the lower numbers. I would also lighten the areas flanking the highlight. Again the highlight is a very distinct vertical line and that is because the tones flanking it are too dark. You are almost there!
Hi Nell-nice job on these toning exercises! It really helps to have your tone squares right above the cylinders because it helps to see that you are missing some of the darker tones. Especially on the taller, thinner cylinder the dark #9 tone is a distinct strip and then it jumps to #6. There should be more transition from 9 thru the lower numbers. I would also lighten the areas flanking the highlight. Again the highlight is a very distinct vertical line and that is because the tones flanking it are too dark. You are almost there!