The leaf is nicely rendered Patricia. In addition to the shadow toning you have along the left side of the main vein, you could have a little toning along the right side edge and possibly a couple of other spots. When the subject is yellow, golds, browns or greens work well for shadow toning instead of dark sepia, which can muddy the bright yellows.
The leaf is nicely rendered Patricia. In addition to the shadow toning you have along the left side of the main vein, you could have a little toning along the right side edge and possibly a couple of other spots. When the subject is yellow, golds, browns or greens work well for shadow toning instead of dark sepia, which can muddy the bright yellows.
Thank you, Doug. That’s very helpful. I always forget that the dark sepia isn’t the only shadow possibility.