Some time, can you please tell us how you descuded on the little chop/logo/monogram above your signature? I noticed that a lot of artists seem to be doing this a lot these days, where 30 years ago, the only time I ever saw this was on Chinese or Japanese art. Any idea why this is so popular now?
Stunning. Work like this got me to try this artform. That pear skin is amazing. I feel inspired, and a very newby who is getting back to practicing her overlaps and cylinders
Really beautiful, Wendy. I love the imperfections in the leaf and the bit of flower remaining on the bottom of the pair. Also, got my new pencil sharpener today and I FINALLY have a sharp pencil point. I love it!! Thank you!
Some time, can you please tell us how you descuded on the little chop/logo/monogram above your signature? I noticed that a lot of artists seem to be doing this a lot these days, where 30 years ago, the only time I ever saw this was on Chinese or Japanese art. Any idea why this is so popular now?
Stunning. Work like this got me to try this artform. That pear skin is amazing. I feel inspired, and a very newby who is getting back to practicing her overlaps and cylinders
Really beautiful, Wendy. I love the imperfections in the leaf and the bit of flower remaining on the bottom of the pair. Also, got my new pencil sharpener today and I FINALLY have a sharp pencil point. I love it!! Thank you!